Join Julieanne Kost, digital imaging evangelist at Adobe, to learn how to expedite your creative process using new and established features in Photoshop. Discover how Julieanne seamlessly merges disparate visual elements to create a single, surreal, composited scene. She’ll demonstrate key techniques to incorporate into your workflow that will enhance efficiency from initial concept to final scene.
You can now add and edit arrowheads after using the Line tool in Photoshop (beta). With the layer(s) selected, use the Properties panel (not the Options bar) to add and/or update the arrowheads on an existing line.
Be sure to check out the magic that the Firefly Image 3 Model brings to Generative AI in Photoshop including the new Generate Image feature as well as updates to Generative Expand, Generative Fill, and Remove Background!
You can now use the new Font Browser in Photoshop Beta to preview over 25,000 Adobe fonts on-canvas, in real-time — even if the font isn’t installed locally!
In this video, Julieanne Kost walks through several options in Photoshop Beta that can help visualize layer bounds and preview layer edges, quickly select layers within groups, and transform the contents of a layer.
In this video, I’ll demonstrate how to use the new Adjustment Brush tool in Photoshop Beta.
In the video below, I demonstrate how I use the Object Selection tool, Generative Fill, and Camera Raw as a smart filter to remove distracting areas in the background in order to place more emphasis on the subject.
The new Point Color feature in Adobe Camera Raw enables more powerful and precision color editing than even before. In this video you’ll learn how to use Point Color to make adjustments based an all three dimensions (Hue, Saturation, and Luminosity). While Point Color is designed to be easy to use (you can simply sample a color and start making adjustments), this in-depth video also points out key differences between Point Color and Color Mixer and demonstrates how to use the range sliders to achieve the exact color adjustments that you’re after. Point Color is available both when making edits to the entire image and when adjusting only a portion of an image using masking In Adobe Camera Raw.
Adobe MAX 2023 — The Creativity Conference is almost here and I hope you are as excited as I am! With hundred of speakers and sessions covering topics including Photography Design, Video, Social Media and more, the days will be filled with opportunities to enhance your skills, supercharge your creativity, and be inspired.
In this video, Julieanne will walk you through three ways to quickly find, filter, and isolate layers using the Layers panel in Photoshop.
I’m thrilled to announce the addition of Generative Expand (via the Crop tool) and Generative Fill in Photoshop as well as updates to Adobe Firefly and more. Be sure to check out this blog post “All new, AI-powered Creative Cloud release and pricing update” for additional information.
I have to admit, this past week hasn’t gone to plan, with a trip to emergency over the weekend after taking a stumble-tumble-fumble and breaking my right arm and wrist (yep, I’m right handed – doh).
I promise I’ll be back creating educational content as soon as I can use my hand again!
In this video Julieanne will walk through six benefits of working with Smart Objects in Photoshop including; transforming and distorting Smart Objects, editing and replacing the contents of Smart Objects, creating duplicated instances, and more!
In this video, Julieanne demonstrates five reasons to use Smart Filters in Photoshop including how to edit, mask, stack, move, duplicate, and change blend mode and opacity of Smart Filters in Photoshop.
In this video Julieanne demonstrates four ways to select layers using the Layers panel, the Move tool’s Auto Select layers feature, the context sensitive menus, and keyboard shortcuts.