Learn how to use Lightroom’s Develop module to use color, tone, placement of content, and stylistic effects to give a series of images a unified look and feel. You’ll learn how to use leading lines to tie images together as well as repeating shape, detail and balance to form a cohesive story.
In this episode of The Complete Picture we’re going to discuss how to select multiple images to work together as diptychs and triptychs. You will learn how similar attributes such as color and shape, mood and lighting, line and form will help to unify two (or more) photographs, perhaps even creating new meaning through the relationship of the imagery.
In this Episode of The Complete Picture, Julieanne demonstrates how to reduce the color palette of an image to create a posterized effect with the most control and maximum flexibility possible.
You can reset the Photoshop Preferences one of two ways. The first is with a keyboard shortcut: When launching Photoshop, Option-Command (Mac) / Alt-Control (Win) + Shift prompts you to delete the Adobe Photoshop settings file (which stores your preferences). Note: there is a very short window between clicking the PS icon to launch it and needing to hold down the keyboard shortcut, so get your fingers ready ahead of time!
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Here is a collections of posts to help make working with video, the Timeline panel, and animations in Photoshop easier.
In order to create a seamless pattern in Photoshop open the desired image and choose Filter > Other > Offset.
In this course, Julieanne shares the fundamental creative and technical concepts behind photo compositing, from creating diptychs that juxtapose images in separate “frames,” to assembling multiple exposures and strengthening visual impact with textural information.
Here’s a short tutorial on how to add textures to photographs (both locally as well as selectively) in Photoshop. Enjoy!
If you’ve ever needed to create flames, be sure to check out the new Flame Generator filter in Photoshop CC. This new feature is designed to render realistic flames on user-defined paths. You need to create your path first (using the pen tool or any of the shape tools), then choose Filter > Render > Flames.
A few weeks ago I had a unique opportunity to fly over the San Francisco Bay area in a small plane with my friend Bryn. James, the pilot, was fantastic and the weather was, thankfully, very cooperative. I’d never been in a plane with the doors off, but with the safety harness secure, and a few reassuring words, off we went! Here are a few of the resulting images from the 90 minutes in the air.
